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CGA 215 Quiz Three - Chapter Three

True/False
Indicate whether the statement is true or false.
 

 1. 

Locking and hiding placed elements will help you to protect the elements when they are positioned correctly.
 

 2. 

The quick keys for the Average and Join commands are similar.
 

 3. 

Selected anchor points appear as white or hollow, while unselected points appear as solid.
 

 4. 

When you manipulate the direction lines of a smooth point, you change the curve of both segments attached to the point.
 

 5. 

Clicking and dragging a direction line of a smooth point with the Convert Anchor Point tool converts the point to a corner point.
 

 6. 

Press [Alt] (Win) or [option] (Mac) to access the Convert Anchor Point tool.
 

 7. 

The Eyedropper tool samples only an object's fill color.
 

 8. 

In Live Paint mode, the concept of layers no longer applies.
 

 9. 

The greater the weight of the stroke, the less noticeable the joins will be.
 

 10. 

The Live Paint Bucket tool cannot apply stroke colors.
 

Multiple Choice
Identify the choice that best completes the statement or answers the question.
 

 11. 

Tweaking refers to what?
a.
adding an anchor point to a path
b.
converting a path into a guide
c.
rotating an object precisely
d.
making small improvements
 

 12. 

What is the name of the command that allows you to save any view of the artboard?
a.
Save View
b.
New View
c.
Edit View
d.
Fit In Window
 

 13. 

Views that have been saved are listed where?
a.
at the top of the Window menu
b.
at the bottom of the Window menu
c.
at the top of the View menu
d.
at the bottom of the View menu
 

 14. 

The primary function of the Average command is what?
a.
joining anchor points
b.
aligning objects
c.
aligning anchor points
d.
all of the above
 

 15. 

Anchor points created by clicking and dragging the Pen tool are called what?
a.
smooth points
b.
corner points
c.
direction lines
d.
miter joins
 

 16. 

The angle and length of direction lines define what?
a.
a closed path
b.
the arc of a curved segment
c.
a smooth point
d.
a “broken” point
 

 17. 

A corner point can join which of the following?
a.
two straight segments
b.
one straight and one curved segment
c.
two curved segments
d.
all of the above
 

 18. 

When you click a smooth point with the Convert Anchor Point tool ____.
a.
the two attached curved segments become straight segments
b.
the direction lines are broken
c.
the Convert Anchor Point tool becomes the Delete Anchor Point tool
d.
all of the above
 

 19. 

The default Miter Limit is ____.
a.
2
b.
4
c.
6
d.
8
 

 20. 

The Projecting cap is most useful when you align ____.
a.
two anchor points at an acute angle
b.
two anchor points at an obtuse angle
c.
two anchor points at a right angle
d.
two anchor points on a horizontal plane
 

 21. 

Which of the following letters is an example of a closed path?
a.
C
b.
L
c.
D
d.
X
 

 22. 

The Live Paint Bucket tool paints ____.
a.
regions
b.
edges
c.
points
d.
both a & b
 
 
Case Based Critical Thinking

Mark finds that many of his designers are mostly Photoshop gurus and aren’t fully up to speed with using the Pen tool to draw objects in Illustrator, and because of this, much of their line work and choices for stroking effects are unsatisfactory. He also finds that they are unaware of the basic concepts behind the Live Paint feature and how they relate to standard Illustrator working methods.
 

 23. 

Mark finds that his designers don’t know any of the terms used to describe different components of a path. He tells his designers to compare a path drawn with the Pen tool to a road through the woods. With that analogy, a smooth point would occur at these places in the road:
a.
curves
b.
hills
c.
corners
d.
steps
 

 24. 

Mark reminds his team that line work is a critical component of Illustrator artwork. He reminds them to remain aware of joins and caps because their function is ____.
a.
aesthetic - they affect only the appearance of stroke
b.
practical - they affect miter limits and butt caps connect two right angle path segments
c.
both a & b
d.
none of the above
 

 25. 

To explain the concept of the Live Paint feature to his team, Mark knows he must reinforce the basic rules of painting objects in Illustrator. He creates two circles in Illustrator with no fill and no stroke, then positions them so that one is overlapping half of the other. He refers to this as “the artwork.” He then tells his team that - without using Live Paint - the total number of different fills and stroke colors that could be applied to “the artwork” is:
a.
1 fill color and 1 stroke color
b.
2 different fill colors and two different stroke colors
c.
three different fill colors and two different stroke colors
d.
three different fill colors and four different stroke colors
 



 
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