True/False Indicate whether the
statement is true or false.
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1.
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Most text-based applications
now offer the ability to generate text vertically.
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2.
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Kerning is less useful for
large headlines than it is for body copy because larger text seldom requires
kerning.
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3.
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In the above figure, a 50%
vertical scale has been applied to the text. This means that the text was shorter before the scale
was applied.
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4.
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When you click the Show All
command, all the hidden objects are selected when they are revealed.
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5.
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Text flowed on a curved line
will often require kerning, especially when it is set at a large point size.
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6.
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The Color panel has four color
modes: CMYK, RGB, Grayscale, and HSB.
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7.
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Press [Ctrl] (Win) or
[Command] (Mac) to toggle between a type tool and the selection tool.
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8.
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When you click the Gradient
tool, the gradient control bar appears in the object itself.
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9.
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The midpoint is identified on
the gradient slider by a triangle.
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10.
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The midpoint, by definition,
must be positioned evenly between the starting and ending colors of a gradient.
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11.
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You can define the angle of a
radial gradient in the Gradient panel.
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12.
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When you convert text to
outlines and apply a gradient fill, the gradient automatically fills each letter
independently.
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Multiple Choice Identify the choice that
best completes the statement or answers the question.
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13.
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For ____ gradients, where you
begin dragging and where you end dragging determines the length of the blend from starting to ending
color.
a. | linear | b. | radial | c. | graded | d. | both a and b |
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14.
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Text preferences are listed
under what category?
a. | Type | b. | Units & Undo | c. | Guides & Grid | d. | Type & Grid |
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15.
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When text is flowed into an
object, which alignment often is the best solution?
a. | left | b. | right | c. | center | d. | justified |
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16.
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The Unlock All command is under
which menu on the Application bar?
a. | Edit | b. | Object | c. | Select | d. | Window |
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17.
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When you click a type tool
cursor on text, then apply the Select All command, ____.
a. | all the text in the single text
object is selected | b. | all the text objects on the page are
selected | c. | the text and the object that contains the text are both
selected | d. | all of the objects on the artboard are
selected |
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18.
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When text on a path is
"flipped," it does what?
a. | It runs in the opposite direction on
the opposite side of the path. | b. | It runs in the same direction on the opposite side of the
path. | c. | It is copied over an imaginary vertical or horizontal
axis. | d. | It is rotated 360 degrees. |
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19.
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When text is flowed on a path,
which feature of the Character panel allows you to increase or decrease the distance of the text from
the path?
a. | vertical
scale | b. | baseline shift | c. | the Offset Path command | d. | none of the
above |
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20.
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Text is flipped across a path
by doing what?
a. | Dragging the center bracket straight
up or down | b. | Double-clicking the Reflect tool | c. | Double-clicking the Rotate
tool | d. | Dragging the starting bracket
down |
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21.
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The point at which two colors
in a gradient meet is called what?
a. | the color
stop | b. | the starting color | c. | the ending color | d. | the midpoint |
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22.
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In a radial gradient, the
starting color appears where?
a. | at the center of the
gradient | b. | at the outside edge of the gradient | c. | halfway between the center and the edge of the
gradient | d. | it depends on how the Gradient tool is
applied |
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Case Based Critical
Thinking
Mark’s
design team has taken on a number of projects that involve display text and gradients. Mark considers
typography to be a fine art, and he thinks that gradients are often a very effective component of
good Illustrator design, so he is excited to take this opportunity to put his team through typography
and gradient boot camp.
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23.
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One project that the team is
working on involves display type that will appear very large on a billboard. Mark tells the team
that, of all the ways to modify text in Illustrator, ____ is the most essential for perfecting large display type.
a. | horizontal/vertical
scaling | b. | baseline shift | c. | tracking | d. | kerning |
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24.
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The specification for all body
copy in a series of ten related fliers - all designed in Illustrator - calls for 11pt type with
12.5pts leading and -10 tracking. One of the designers flows body copy text into the main text box on
flier number five, formats it, then realizes that one paragraph is overflowing the text box. He tells
Mark how he solved the problem, and Mark tells him that, of all the choices he had for fitting the
text, he chose the worst option in terms of the overall design of the total project of ten fliers.
The designer’s bad choice was to ____.
a. | reduce the point size of the body
copy | b. | reduce the overall leading | c. | increase the tracking
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25.
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One of Mark’s designers
is having difficulty with tracking and kerning - specifically, when to use tracking and when to use
kerning. Mark asks four other designers to provide an analogy for tracking and kerning. He is pleased
with all four analogies, but he says that the best of the four analogies is that tracking is to
kerning as ____.
a. | group is to
individual | b. | hugging is to pinching | c. | book ends are to books | d. | brushing is to
flossing |
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