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CGA 215 Quiz Two - Chapter Two

True/False
Indicate whether the statement is true or false.
 

 1. 

Most text-based applications now offer the ability to generate text vertically.
 

 2. 

Kerning is less useful for large headlines than it is for body copy because larger text seldom requires kerning.
 
 
nar001-1.jpg
 

 3. 

In the above figure, a 50% vertical scale has been applied to the text. This means that the text was shorter before the scale was applied.
 

 4. 

When you click the Show All command, all the hidden objects are selected when they are revealed.
 

 5. 

Text flowed on a curved line will often require kerning, especially when it is set at a large point size.
 

 6. 

The Color panel has four color modes: CMYK, RGB, Grayscale, and HSB.
 

 7. 

Press [Ctrl] (Win) or [Command] (Mac) to toggle between a type tool and the selection tool.
 

 8. 

When you click the Gradient tool, the gradient control bar appears in the object itself.
 

 9. 

The midpoint is identified on the gradient slider by a triangle.
 

 10. 

The midpoint, by definition, must be positioned evenly between the starting and ending colors of a gradient.
 

 11. 

You can define the angle of a radial gradient in the Gradient panel.
 

 12. 

When you convert text to outlines and apply a gradient fill, the gradient automatically fills each letter independently.
 

Multiple Choice
Identify the choice that best completes the statement or answers the question.
 

 13. 

For ____ gradients, where you begin dragging and where you end dragging determines the length of the blend from starting to ending color.
a.
linear
b.
radial
c.
graded
d.
both a and b
 

 14. 

Text preferences are listed under what category?
a.
Type
b.
Units & Undo
c.
Guides & Grid
d.
Type & Grid
 

 15. 

When text is flowed into an object, which alignment often is the best solution?
a.
left
b.
right
c.
center
d.
justified
 

 16. 

The Unlock All command is under which menu on the Application bar?
a.
Edit
b.
Object
c.
Select
d.
Window
 

 17. 

When you click a type tool cursor on text, then apply the Select All command, ____.
a.
all the text in the single text object is selected
b.
all the text objects on the page are selected
c.
the text and the object that contains the text are both selected
d.
all of the objects on the artboard are selected
 

 18. 

When text on a path is "flipped," it does what?
a.
It runs in the opposite direction on the opposite side of the path.
b.
It runs in the same direction on the opposite side of the path.
c.
It is copied over an imaginary vertical or horizontal axis.
d.
It is rotated 360 degrees.
 

 19. 

When text is flowed on a path, which feature of the Character panel allows you to increase or decrease the distance of the text from the path?
a.
vertical scale
b.
baseline shift
c.
the Offset Path command
d.
none of the above
 

 20. 

Text is flipped across a path by doing what?
a.
Dragging the center bracket straight up or down
b.
Double-clicking the Reflect tool
c.
Double-clicking the Rotate tool
d.
Dragging the starting bracket down
 

 21. 

The point at which two colors in a gradient meet is called what?
a.
the color stop
b.
the starting color
c.
the ending color
d.
the midpoint
 

 22. 

In a radial gradient, the starting color appears where?
a.
at the center of the gradient
b.
at the outside edge of the gradient
c.
halfway between the center and the edge of the gradient
d.
it depends on how the Gradient tool is applied
 
 
Case Based Critical Thinking

Mark’s design team has taken on a number of projects that involve display text and gradients. Mark considers typography to be a fine art, and he thinks that gradients are often a very effective component of good Illustrator design, so he is excited to take this opportunity to put his team through typography and gradient boot camp.
 

 23. 

One project that the team is working on involves display type that will appear very large on a billboard. Mark tells the team that, of all the ways to modify text in Illustrator, ____ is the most essential for perfecting large display type.
a.
horizontal/vertical scaling
b.
baseline shift
c.
tracking
d.
kerning
 

 24. 

The specification for all body copy in a series of ten related fliers - all designed in Illustrator -  calls for 11pt type with 12.5pts leading and -10 tracking. One of the designers flows body copy text into the main text box on flier number five, formats it, then realizes that one paragraph is overflowing the text box. He tells Mark how he solved the problem, and Mark tells him that, of all the choices he had for fitting the text, he chose the worst option in terms of the overall design of the total project of ten fliers. The designer’s bad choice was to ____.
a.
reduce the point size of the body copy
b.
reduce the overall leading
c.
increase the tracking
 

 25. 

One of Mark’s designers is having difficulty with tracking and kerning - specifically, when to use tracking and when to use kerning. Mark asks four other designers to provide an analogy for tracking and kerning. He is pleased with all four analogies, but he says that the best of the four analogies is that tracking is to kerning as ____.
a.
group is to individual
b.
hugging is to pinching
c.
book ends are to books
d.
brushing is to flossing
 



 
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